Music
The EP “Until Everybody Is Free” on Common Groove, plus a library of mixes for the dancefloor.
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DJ & Producer — Berlin
Bella Cuts
Fierce femme big beats and booty bass.
Making people move for over a decade — from the streets to the club, to festival crowds of thousands. New release “Until Everybody Is Free” is out on Common Groove.
Three pillars
Never neglecting the transformative power of the dancefloor
Bella Cuts has been making people move for over a decade, from the streets to the club, to festival crowds of thousands.
About
From bass-obsessed photographer in Aotearoa to Berlin-based DJ, trained in turntablism and politically engaged.
Read the biography
Shows
Festival and club appearances, from Schwuz and Tante Horst in Berlin to festival crowds across Europe.
View schedule
New release
Until Everybody Is Free
Bella Cuts launched her own label, Common Groove, in 2023, and released the EP there. The label is an independent home for the music she makes and shares.
Press & media
Highlights so far
Festivals, club nights and radio — a selection of what has filled the dancefloor.
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Milkshake · Yo! Sissy · Rdeče Zore Festival appearances, including Milkshake, Yo! Sissy and Rdeče Zore -
Room 4 Resistance · Berries · BOO HOO Club nights including Room 4 Resistance, Berries and BOO HOO -
Expatriarch Radio Hosted the queer-feminist radio show Expatriarch Radio for 3 years -
The Solidarity Index Launched her own podcast, The Solidarity Index, in 2023
Shows
Listed performances
Dates and venues as published on the shows page. Check Shows for the latest gig updates.
| Date | Venue | City |
|---|---|---|
| 19.09 | Schwuz | Berlin |
| 26.09 | Tante Horst | Berlin |
| 08.10 | Schwuz | Berlin |
Bella Cuts is a Berlin-based DJ and producer working across fierce femme big beats and booty bass, a style she describes as fierce, warm and unapologetically physical. Over more than a decade she has moved from the streets to the club and on to festival crowds of thousands, building a reputation for sets that connect directly with the bodies in front of her rather than playing to an abstract idea of a dancefloor.
The new release Until Everybody Is Free arrives on Common Groove, a label she has a close relationship with. The release is presented as more than a collection of tracks: it is a statement about collective freedom, resistance and the idea that everybody deserves to be unencumbered on the floor. The accompanying listen-and-play links make the record easy to explore directly from the homepage.
Three pillars frame the work: never neglecting the transformative power of the dancefloor, a commitment to music as a tool for connection, and an insistence on playfulness that never loses its edge. This mixture of rave energy, queer and feminist framing, and a decade of accumulated experience gives the project a strong sense of continuity and intent rather than a loose catalogue of party moments.
The biography traces a path from small underground rooms to large open-air stages, from expatriate radio to festival mainrooms, with residencies and club nights marking the route. Along the way the sets absorb influences from across the scenes she moves through, and she keeps returning to the same core idea: a good mix is a conversation, and the dancefloor is the place where that conversation actually happens.
Shows and sets are listed for those wanting to catch her live, whether it is a club night, a festival slot or a radio appearance. Booking enquiries, guest lists and mailing list sign-ups are gathered through a single, straightforward form, and the site also points visitors toward an EPK and a press kit so bookers, promoters and journalists have what they need without hunting for it.
Alongside music there is a podcast and a continuous run of mixes, updated regularly and easy to browse for anyone building their own listening hours. The messaging invites people to leave comments, submit a message, and get gig news and updates delivered directly to an inbox rather than buried in a feed, with no spam and no noise, just the occasional worthwhile announcement.
Social presence runs through small, tidy icons linking to Instagram, Facebook, Bandcamp, SoundCloud and Spotify, plus appearances on streaming platforms and as a resident or advisor elsewhere. That network keeps the catalogue accessible for people who would rather stream than buy, and it keeps the visual identity of the project consistent across a range of very different online spaces.
The design language of the site mirrors the music: deep, moody and textured. Near-black and dark maroon backgrounds carry warm cream text, oversized script typography spells out the name and section labels, and a muted teal accent with occasional burnt-orange highlights marks the important moments. It reads as editorial and artistic rather than corporate, with generous space up top and denser rhythm further down.
Accessibility is treated as a working feature rather than an afterthought. Controls for increasing and decreasing text size, toggling grayscale, negative contrast, light backgrounds and adjustable link underlines all sit within reach, and reset options let visitors return the page to its default state. The goal is a site that remains readable and navigable for as many people as possible.
Themes of freedom, solidarity and collective release recur throughout the work, connecting club culture to wider conversations about identity, community and resistance. Tracks and sets reference the pressures people carry and the relief found in dancing together, and the overall impression is of an artist who treats the dancefloor as a genuinely transformative place — somewhere crowded, loud and shared, where thousands can move as one.
Contact
Bookings, fan mail and tracks
For bookings, fan mail, or to send a track, drop a line via the contact page. A full Bio and EPK can be requested by email.