Contact
Bookings, fan mail and track submissions — all welcome.
For bookings, fan mail, or if you want to send me a track — drop me a line using the form below.
bellacutsbeats@bella-cuts.com
Reach out directly for bookings, festival dates, or to send a track for consideration. A full Bio and EPK can be requested through the contact form or by email.
Berlin-based DJ and producer, working on fierce femme big beats and booty bass since before Common Groove.
Drop a line
Fill in the fields below and your message goes straight to Bella Cuts.
What to include
A few details help a reply come back faster and with the right information.
| Request | Useful details |
|---|---|
| Booking | Date, venue or festival, city, set length, and stage format |
| Track submission | Link to the track, artist name, and a short introduction |
| Bio / EPK | Request for the full Bio and EPK |
| Fan mail | Anything you would like to say |
Getting in touch with Bella Cuts should be simple and direct. Whether you are a promoter arranging a set, a label sending a track for consideration, or a fan writing with a question about the music, a short message is enough to start the conversation. Every enquiry lands in one inbox and is read by the artist, so there is no middle layer of forms or forwarding. Typing plainly about what you need tends to get the quickest response, and you can expect a reply that addresses the actual request rather than a template.
If you are planning a booking, it helps to share a few practical details upfront. The date, the city, the venue or festival name, the length of the set, and whether the stage is a main room, a club booth, or an outdoor stage all shape how a mix gets built. Mentioning the crowd you expect, the sound system, and the running order for the night gives an even clearer picture. That context lets a set be shaped around the room instead of the other way around.
Track submissions are welcome and appreciated. Send a link where the music can be heard, along with the artist name and a short introduction that says where you are from and what the track sounds like. Releases shared this way are listened to properly and get a considered answer, whether the answer is a yes, a no, or simply a request for more information. If you release music yourself, a brief press description and a couple of striking images can make an introduction far easier to follow.
There is also space for the everyday correspondence that comes with a decade of releasing music. Requests for a bio, an electronic press kit, interview availability, or a mix for a podcast or radio show all arrive here. Fan mail, kind words, and thoughtful feedback are read with genuine interest, even when a reply takes a little longer to arrive. If something arrives from a mailing list or a social platform and feels like noise, it is filtered out so that genuine messages are not lost.
A note on what happens with your details once you write. Nothing you send is sold, shared with third parties, or handed to mailing lists, and everything is kept private. Messages are only used to answer what you asked about, whether that is a booking, a submission, or a request for information. If you would rather not receive anything further, a single reply saying so is enough to be removed permanently, and no follow-up questions will be asked.